JANE FONDA, it’s hard to believe, is 71. While the rest of us have just about managed one life, she’s had half a dozen.
These days Ms. Fonda is revisiting an earlier incarnation, Broadway actress, and next month she will star in “33 Variations,” written and directed by Moisés Kaufman, almost 50 years (46 if you want to be fussy) after she last appeared on Broadway, in “Strange Interlude” with Geraldine Page.
“Variations” is about a woman who is in many ways the complete opposite of Ms. Fonda — someone who has shut down and is out of touch with herself. Ms. Fonda plays a character named Katherine Brandt, a musicologist who is suffering from amyotrophic lateral sclerosis, or Lou Gehrig’s disease, and is determined before she dies to solve the mystery of Beethoven’s Diabelli Variations: why he spent the last years of his life obsessing over an ever-expanding set of variations on a waltz theme, written by the music publisher Anton Diabelli, that was clunky and banal. Beethoven called it a schusterfleck, or so the story goes — a cobbler’s patch. (Beethoven is a character in the play, along with his assistant, Anton Schindler, but his music is played offstage by Diane Walsh.)
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